After murdering someone, a magazine tycoon tries to frame an unknown, innocent man of the murder instead, while the innocent man tries to solve the murder himself.
After lifting a cool million from a U.S. bank, a crook is anxious to sneak across the border into Mexico, but to do so he must hire an experienced wilderness guide. When things don't go as planned, the crook forces the guide and his wife into the mountains with him.
In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.
When Jennifer Nelson is hired to work in a aerospace laboratory, she catches the attention of her boss, scientist Bruce Templeton. Bruce hires Jennifer to write his biography so he can spend more time with her, but their sneaky behavior causes people to think Jennifer is a Russian spy.
My Name Is Julia Ross is the first film noir made by Joseph H. Lewis. Though made on a low-budget, the film contains a nice brooding atmosphere and some innovative camera work to tell the tightly woven story of Julia Ross, an unemployed woman who in desperation takes a job as the personal secretary to a socially prominent matron.
A New Yorker's life is thrown into a tailspin when his younger cousin surprise visits him, starting a strange, unpredictable adventure.
A spider escapes from an isolated Arizona desert laboratory experimenting in giantism and grows to tremendous size as it wreaks havoc on the local inhabitants.
In an attempt to colonize Mars, 21st century scientists seed the planet with algae to absorb sun light and purify the atmosphere, and cockroaches who in turn spread the algae as they feed. 500 years later, the first manned mission to Mars loses contact with Earth, and a second ship is sent to investigate.
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families.
Fetishistic and dark, this early giallo thriller from Italian filmmaker Luciano Ercoli prefigures such sexually-themed gialli as La Ragazza dal Pigiama Giallo and Tenebre in its explicit connection between female sexuality and violence. Dagmar Lassander stars as Minou, who is threatened at the beach by a mysterious figure (Simon Andreu) who caresses her body with a knife and intimates that her businessman husband Pierre (Pier Paolo Capponi) is a murderer.