Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process.
She was born in Detroit... on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is Christine - a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil, indestructible vengeance that will destroy anyone in her way.
The fabulously wealthy but morally bankrupt Duke brothers (Ralph Bellamy and Don Ameche) make a one-dollar bet over heredity vs. environment. Curious as to what might happen if different lifestyles were reversed, they arrange for impoverished street hustler Billy Ray Valentine (Eddie Murphy) to be placed in the lap of luxury and trained for a cushy career in commodities brokerage.
The last film by veteran writer/director Robert Bresson, the French crime drama L'Argent (Money) was based on a short story by Russian novelist Leo Tolstoy. Looking for some quick cash, young man Norbert (Marc Ernest Fourneau) gets a phony 500 franc note from his friend Matrial (Bruno Lapeyre). After he spends it at a photography shop, the unscrupulous shop owner (Didier Baussy) decides to pass it on to someone else.
Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings.
In this deeply personal tale of estrangement and reconciliation between two rebellious brothers, set in a dreamlike and timeless Tulsa, Francis Ford Coppola gives mythic dimensions to intimate, painful emotions. After releasing the classically styled The Outsiders earlier the same year, the director returned to the work of S. E. Hinton, this time with a self-described “art film for teenagers.”
Purporting to be loosely based on Hamlet, Strange Brew is about an evil braumeister at the Elsinore Brewery who has discovered an additive that when guzzled in beer, allows the drinkers to be easily controlled. Braumeister Smith (Max von Sydow) has a plan to take over the world with his new brew, and only the Great White hosers of the North, Bob and Doug McKenzie (Rick Moranis and Dave Thomas) -- with their plaid shirts, ski toques, fur-lined parkas, and addiction to beer -- can stop the dastardly plan, sober or not. There are several jabs at "hoseheads" and the business of movie-making, including an epilogue that critiques the film itself.
Considering the number of talented people involved in this film, it is not surprising that the laughs are constant. Conversely, considering the number of talented people involved in this film, it is surprising it isn't a bit sharper and deeper with its comedy. Harold Ramis showed in subsequent comedies that he was capable of finding an emotional level to match the laughs (Groundhog Day, Stuart Saves His Family, and even, to a lesser extent, Ghostbusters), and screenwriter John Hughes invested the seemingly overworked teen film with some honest feelings in his screenplays for such '80s classics as Sixteen Candles, Breakfast Club, and Some Kind of Wonderful. There are easily two-dozen very funny scenes in this film.