It’s no secret that films based on comic books and graphic novels are a dime a dozen these days, but back in 2000 that wasn’t necessarily the case. I had the opportunity to see the original “X-Men” movie in Las Vegas while at the VSDA convention and, suffice it to say, we were all blown away. As a long-time reader of the X-Men comic books, I’ve always had a soft spot for our mutant heroes (and anti-heroes) so once the series somewhat wrapped in 2006, the question was “what next?” As it turns out, there’s no shortage of stories or actors willing to don leather jumpsuits, though the next installment was more of a solo story with “X-Men Origins: Wolverine”, the most popular X-Men and arguably the most popular super hero out there. With “X-Men: First Class”, they took a step back, way back, to the 1960’s and the origins of the comic book series itself. Marvel head honcho Stan Lee created the series back in the early 60’s along with other notable titles like “Iron Man”, “Spider Man” and “The Incredible Hulk” all of which are, of course, movies. The question was “would it work?” Would viewers want to see an “X-Men” movie without familiar faces like Wolverine, Cyclops, Storm or even the older versions of Professor Xavier and Magneto. Long story short, yes.
Those unfamiliar with the earlier stories of the X-Men comics might not know all the faces, but might know the names. Set in the early 60’s against the backdrop of the Cuban Missle Crisis, “X-Men: First Class” focuses on a much younger Charles Xavier (James McAvoy) and his search for others of his kind. He’s aware of a young shape-shifter by the name of Raven (Jennifer Lawrence) and of another who can control magnetic forces (Michael Fassbender). Xavier has noble intentions, but for every Xavier there’s someone who’s out for their own good. In this case it’s Sebastian Shaw (Kevin Bacon), a mutant who can harness energy and use it against his enemies (it also makes him eternally youthful) and his partner-in-crime, Emma Frost (a very buxom January Jones). As Xavier starts to assemble what will become the X-Men, sides are chosen and Shaw and company want the world to end in nuclear war so that he might profit from it. This is your classic good vs. evil tale that comic books are so rightfully know for and nowhere is it better personified than in “X-Men: First Class.”
After seeing the end credits roll, there was no doubt that this was now my favorite “X-Men” movie. I loved the characters, the story and the writing were all top notch. Plus it was nice to see a new assortment of faces on the screen and I’m glad the writers decided to delve back into the earlier storylines. The film was critically and commercially successful, and you know what that means – “X-Men: Second Class.” The real scene-stealer was Kevin Bacon as Sebastian Shaw, but every major character seemed to have a depth to them that some of the more recent X-Men movies didn’t. I’m sure that’s the reason for the high critical marks of the movie. Amongst the myriad of films dealing with superheroes, you’ve got plenty of choices but few are as good as this most recent installment in the “X-Men” franchise. Highly recommended.
Video: How does it look?
The good thing about superhero movies is that they most always look great visually. “X-Men: First Class” is no exception and the 2.40:1 AVC HD transfer simply shines from beginning to end. The film takes place in the 1960’s so we get somewhat of a taste in regards to clothes and whatnot. I found the detail to be amazing, like I could reach out and touch the characters on screen. Colors are bright and bold, as expected. January Jones’ character spends the majority of the film prancing around in lingere and wearing skin tight white leather outfits (do you hear me complaining?), and when that’s the case, you don’t want anything getting in your way of a good picture. The CGI effects look very realistic and are only complimented by this top-notch transfer. Well done.
Audio: How does it sound?
Even more impressive as the video presentation is the DTS HD Master Audio mix. This uncompressed soundtrack is really what it’s all about and every speaker you own will earn its keep during this film. The front stage takes the majority of the action, but the LFE are never far behind. Surrounds are almost always humming away and add a lot of depth to some already impressive-sounding scenes. Vocals are clear and vivid, we get to hear Kevin Bacon’s deep voice resonate in every scene he’s in. On the whole, this is what action movies are all about and certainly they don’t get much better than this.
Supplements: What are the extras?
This Blu-ray will no doubt be a hot seller and it contains enough supplements that certainly merit a look. We start off with “Cerebro Mutant Tracker”, an interactive feature in which you can literally keep track of the mutants you see on screen by pressing the “enter” button. Doing so will enable you to get a few tidbits about the character and this also keeps a running tally for you. “Children of the Atom” is actually a seven-part set of featurettes that focus mainly on the production of the film, casting, costumes, makeup, special effects and the origin of the movie to begin with (it’s actually been on the table since 2003’s “X-2”). We get a lot of insight from director Matthew Vaughn, best known for his “Kick Ass” film, and the trials and tribulations that led him to be behind the camera. This feature runs just over an hour and is very incisive and informative. We get nearly 15 minutes of deleted scenes, though the majority are all extended, though given the film’s 132 minute running time these were chopped down due to length. “X Marks the Spot” is an interactive feature with trivia and “Dogfight” shows the ending battle with Banshee, Angel and Havoc. The second disc contains a digital copy of the film for your portable device.